
While in London yesterday, I stumbled across a deck that I hadn't seen before. As I browsed through
Watkins (of Cecil Court), I found an open sample of the
Archetypes and Shadows set by Chuck
Spezzano, PhD, and was immediately taken with the artwork. I flipped through just a handful of the cards and left the shop. Because it was only a sample deck and no other copies were on show, I thought that they probably wouldn't sell it.
After looking round the market near
Seven Dials, I popped into
Mysteries in
Covent Garden. There is a great lady who works there, and whenever I drop in, we can spend up to an hour chatting about decks and looking through the new samples she has received. The
Spezzano deck was there too, and she had many good things to say about it.
The deck is divided into two halves. In my understanding, one stack (of 45 cards) is connected to the higher-self, and the other (of another 45), is concerned with our shadows. One method of using the cards is to pull a shadow, and then take an archetype card from the other pile, and find a way of dealing with and eventually getting rid of the problematic shadow. Therefore, the deck, in it's entirety, is made up of contrasting cards. The woman who sold it to me said that everyone in the shop had had a go at doing this when the deck came in, and most were gobsmacked by it's accuracy. There are some pretty hard-hitting cards in the set, which some could find offensive on the surface, but I think the intention is for them to be interpreted with a little more depth. The accompanying book goes into further detail about each card, but I have chosen to go it alone without it, as I think doing so will benefit me more.
In using the deck as a whole, I pulled the
Villain and the
Miser today,
which are both from the suit of
Shadows. I could not help but notice how the handsome young man on the left is eyeballing the miser's coin. Like the mice in the illustration, who gnaw at the ropes on the boxes, he has made a decision to take that coin for himself, with no thought for the person who owns it.
I see two people in these cards. One does not care to share and the other wants to take for himself, without permission. I am not a miser, but at the moment, my finances are tight, so these cards have provoked some concern around my bank account. I am yet to check it, but will later, to make sure that everything is as it should be.
Yesterday's second-interview went well. Even though I was nervous as it got nearer, the Head of
Childrenswear was nice and I was in there for over an hour. She seemed happy with the level of my work and we agreed on a lot, but she still wants to set me one last project when she comes back from her trip to the far East. I am fine with this, but of course, it means even more waiting.
I enjoyed my time in London and met up with a friend afterwards. Because it was so hot, we took some takeout coffee to a small park and chatted for an hour. Most of the West End were drinking on the pavement outside pubs or had laptops set up in the street for the
England match, and while in
Mysteries, I heard the roar of hundreds of people as the first and only goal was scored. With the
Archetypes and Shadows deck under my arm, I hotfooted it down to
Victoria to catch my train before the game finished and the fans joined me in their varying levels of
jubilation.
The heat of yesterday stayed for today. Rather than going back home as I planned, I spent the day with my boyfriend's sister, his brother's girlfriend, their children, and another family friend, and we sat outside the front of the house for lunch. I enjoyed their company and gave myself the chance to relax for a little bit, thinking I deserved it after the work I'd put in on the run up to yesterday's interview.
Illustrations from Archetypes and Shadows by Chuck Spezzano