I tackled this fool in the first of my
78steps. He's the one who I decided is being controlled by the strings of impulse. His drum beats might be erratic, but they are his own. He bashes the instrument as and when he feels like it. There's no song sheet or training. He dives in and makes his own music.
As I am working with this deck quite extensively at the moment, I want to try and imagine the energy of this particular
fool.
It is extremely sunny today. It was only a few days ago that it was so foggy that there was a pile up on the motorway, but now, there is not one cloud in the blue sky. The tops of the trees in the woods behind my house are stretching up to the sun; their fine branches like fingertips, lightly caressing it's rays. My dad has taken to the bath. He woke up in a strop. I think it's because it is Tuesday. It's his treatment day and he was the same last week.
I just answered a call. It was a follow up to my careers advice session. In short, it was a fifteen minute multiple-choice survey, asking questions about how the advice and adviser was for me. Choosing whether I strongly agree, tend to agree, tend to disagree or strongly disagree took it's toll on me after ten minutes, so I can only imagine how boring asking those questions is all day for the guy who made the follow up call. But as he spoke, I concentrated on the blue sky out of my window, and in particular, two planes that were souring through it, one above the other. I always find it hard to imagine that there are really loads of people in planes so far away.
Our new house is on a corner. A road sweeps around it and it sits high up above all of the others. There is a steep bank and fencing around it's waist like a belt, and due to being high up, we are not overlooked by anybody. In our old house, our living room (which was then at the front) was sunken, and with houses so close to us in a terrace,
Oddbod and her clan could look through the window as they walked down their path - something she always did. But here, everyone is at more than an arms length.
When I think about this
fool, I think of one of the roads leading away from the sweeping road around our house. In fact, if I look out of one of the big windows from our living room, I can see it quite clearly. Many, many years ago, I remember a visualisation I wrote down, where
The Fool came to visit me in a coffee shop in the city. I had been to a handful of interviews for office jobs and my heart had not been in any of them. In the last I had attended in Liverpool Street, I had been part of a group interview, where we had been asked to work as a team and build a bridge out of A4 paper. Some of the candidates threw themselves into it. The prize was the role of some kind of administrator, in charge of twenty-odd other people. I figured that the others there wanted it more than me, so I sat back and let them have it. After hearing about how poorly I had done in the interview, my agent suggested that I go and sit in a cafe and think about what I really wanted to do, so I did. It was then that
The Fool came to visit. He asked me what I really wanted? He suggested I take a leap, so I did that too and applied to art college.
I'm visualising again now and even though I cannot see him straight away, I can hear his drumming in the distance. There's the light tapping of a single drum. I love that sound, even if he is not playing it as proficiently as those I have heard in street bands before. Hang on! Isn't that him coming along the road behind my house? The drumming is getting that bit louder; so much so, that one of the neighbouring cats has run to the bench outside of her home and has curled up in a ball. The post lady, who is on the other side of the road, has looked over to see where the noise has come from, as she posts an Amazon package through some lucky person's door.
 |
| The drummer behind my house ... |
As he walks, the drummer does a little dance. He's about as good at dancing as he is at drumming. He's not marching, but jumping on one leg and kicking the other out spontaneously. He doesn't care if the post lady has stopped posting her letters to watch him. He's in the moment and is enjoying himself. He makes his way around the waistline of my house. I have now moved to my bedroom, where I can see him tapping his way down my drive. I screw my face up as I see him slightly scrape my mother's car with his drum, but he doesn't notice. When he gets to the door, he doesn't use our doorbell. I'm kind of glad because I hate the Big Ben chimes that the last occupants have left us with. Instead, he takes his drum sticks and batters at the glass door until I open it.
'What's your name?', I ask him.
'Beadle', he replies. He hasn't placed his drum down, but looks around at the things in my room, turning on my Mac and fingering his way through my bookshelves. I ask him if he would like a drink but he replies 'Nope .. I'm cool'.
I am ever so slightly nervous around
The Fool. This is maybe down to my apprehension around taking chances. He asks me what it is that I have to lose and he has a point. Once again, I have been advised to get my PGCE application out as there are still a few places for this year's intake. I know that I should do this because the blind
High Priestess with the cat and mice told me. But I am still a little afraid of throwing myself into all of this. Beadle tells me to do it and says 'Send it off and see what happens'. I want to show my application to Kate later, but before then, I will get everything ready to send. Today is the day.
Beadle rat-a-tat-tats his way into the hallway without even uttering a goodbye. I guess his job's done and he knows it. Going into teaching is a big step for me, but it is also a new beginning, waiting to be snatched up. You can spend too much time thinking about things. Sometimes, ideas become stagnant while we overthink and should really be acted on straight away. That's what today's card is all about for me; to go with the flow and apply, rather than spend another week thinking about it. If I don't act now, I could miss my chance and a place on the course.
Illustrations from The Tarot of the Sweet Twilight by
Cristina Benintende